That means, in my case, that I WILL blog regularly because my boss said so. It’s not so hard. I rather enjoy throwing out a few lines now and then. Blogging is to a writer what finger-exercises are to a pianist.
My novel, Yesu’s Baboon, is at 130,000 words. I’m looking forward to mercilessly cutting them by around 50%. If you cut all the crap and redundancy out of a novel you’re already pretty proud of, you get an even better book, right? That’s how I’m going to force Hemingway’s 80% of the iceberg underwater. There’s already a lot of stuff under the waterline.
The combat phase is almost over. I’ve got three or four scenes to finish, then the revisions begin. Towards the end, the timeline gets really complex. The court case concludes, Isidora escapes, she’s got business to attend to at the law office, Koyati experiences a riot and conducts a funeral — lots of stuff.These events must occur in exactly the right sequence. That gets tricky. I use a professional-grade timeline sequencing app called Aeon Timeline. Here’s a small section of its screen:
Now if you think that this level of detail is going to make the book hard to read — it’s just the opposite. The principle is straightforward: Write hard, read easy. Or like Steven Taylor said: “It costs a lot of money to look this cheap.” Or, “A writer is someone for whom writing is harder than for other people.”
Anyway, stay tuned. I’ll be keeping you up to date.